What’s your planning style?

I’ve only just come across this, but Leland posted this a while ago about the taxonomy of planners. Thanks to Adam for flagging it on the Plannersphere. I find stuff like this really interesting and I was particularly intrigued to see how I might fair doing the Myers-Briggs test. The Myers-Briggs test is used by Mckinsey to assess the cognitive processes of candidates.

According to Leland’s description my hunch would be I’m somewhere in between ‘emotional’ and ‘relationship acumen.’ So after a brief search on zee veb, I managed to find this very rough version of a Carl Jung and Isabel Myers-Briggs personality test.

I came out, so to speak, as a ENFP

Strength of the preferences %
Extroverted 56
Intuitive 75
Feeling 25
Perceiving 11

This means I’m apparently…

- Moderately expressed extrovert
- Distinctively expressed intuitive personality
- Moderately expressed feeling personality
- Slightly expressed perceiving personality

I think it’s actually scarily accurate. I agree that I am all of the amazing things it says I am ; ) It categorises me as a Champion Idealist. Which after reading makes me feel all warm and fuzzy inside. This part being my favourite:

‘This type is found in only about 3 percent of the general population (the top 3 or the bottom 3 I wonder?), but they have great influence because of their extraordinary impact on others. Champions are inclined to go everywhere and look into everything that has to do with the advance of good and the retreat of evil in the world. They can’t bear to miss out on what is going on around them; they must experience, first hand, all the significant social events that affect our lives. And then they are eager to relate the stories they’ve uncovered, hoping to disclose the “truth” of people and issues, and to advocate causes.’

What can we learn from Duchamp?

Now I don’t know much about art. I’m interested in it, I appreciate it and I like what I like, but I don’t know what is good or bad. So apologies if this post screams of ignorance, but after reading this about Marcel Duchamp it got me thinking about the kind of art that those of us in communications are paid to produce and what we could learn from him. Duchamp had a really interesting perspective on art and it seems pretty relevant given the debate surrounding the future of planning, agencies and the general changes in modern marketing.

This post isn’t about commercial art versus art, or intended to suggest that visual art is dead. I simply found Duchamp’s perspective thought provoking. How’s that for sitting on the fence!

Whilst Duchamp eventually came to despise retinal art and the bourgeois, he started off by wanting to create a new kind of art that engaged the mind. Duchamp wondered if he could create works of art that were not conventionally works of art. This became known as conceptual art.

According to the Oxford English dictionary a concept is: “an idea of something formed mentally, combining all its characteristics or particulars.” This suggests to me that there are many different elements to the concept and not just visual and copy. Seems obvious and straightforward. So why the debate about who owns ideas?

In my agency, concepts are the things we review. No reason why it’s called this over creative it just is and always has been. I would argue that in a ‘traditional process’ quite often what is reviewed isn’t really a concept – at least not just yet. All the other ‘characteristics’ and ‘particulars’ haven’t been developed, such as the media for arguments sakes. It’s essentially just an idea at this stage. In other words a concept can’t be CREATED without varying perspectives and input.

Duchamp’s ‘Readymades’ are also something we can learn from. He purposefully aimed to break every rule in art in order to engage people’s minds in unpredictable ways so he could provoke the observer to participate and think rather than it just being aesthetic to the eye. And to top it off he believed in art that was free of pretence and artifice. He’s a clever bloke in my book.

However, probably one of the most interesting beliefs of Duchamp is that art occurs at the juncture of the artists’ intention and the observer’s response, ultimately making them a co-creator. If ever there is something that would unite people in agencies today and describe what we should all be striving for in communications this is it. Perhaps this is the art we should get more awards for?

Planners as the new creatives?

Oooh errrr missus here’s a long one…

This was a great debate at PSFK and whilst I appreciate this is purposefully controversial, I’m not sure whether the argument is really about planners being the new creatives. Perhaps it’s more about challenging egos in order to find the best way for agencies to come up with new ideas? In another PSFK presentation Iain Tait spoke about why digital is better than advertising. Iain made some great points about the industrious nature of the discipline, the ability to fail small etc, but again it seemed to be more about the mindset of the modern agency versus the traditional advertising agency structure. I just think that if you were given a blank cheque to start your own agency tomorrow, irrespective of whether or not it’s in digital, you wouldn’t use the ‘traditional advertising’ structure. It’s not that it doesn’t work, but it doesn’t work as well as it could.

I was lucky enough to get my first job in planning when the discipline was introduced to the agency only three years ago. At the time I was an account manager (that in my opinion tried to do a bit of planning) and I constantly hassled the Director to let me have one of the jobs going in the new team. Thankfully he eventually gave in. But being partly responsible for introducing planning to an agency that has done without it for 25 years was the single most difficult thing I have ever been involved in professionally. The benefit of introducing planning meant we had the opportunity to collectively review and implement a new structure. To be part of this is an invaluable experience!

Now I’m talking from an ‘integrated’ and purely personal perspective here, but my main observation was that the old agency model didn’t just hinder the strategy and ideas we came up with, it was massively inefficient and actually cost the agency more money. Something that isn’t actually debated much. And in the words of Pierre Reverdy: “Creativity is to think more efficiently”. So forget who owns ideas, just come up with the best ones and do it as quickly as possible. And to be honest, the working environment and culture isn’t anywhere near as good as it is now.

So we started from scratch and changed the whole approach, which is still being improved. It’s frustrating, but it’s hard to change this overnight. We’re lucky because we are independent and a bit leaner. But for a huge agency the thought of changing things must be like trying to turn a huge tanker round with a chubby little steering wheel the size of a 50 pence piece. It’s probably easier just to start again in some respects than to try and change an established beast of an agency. I can’t begin to imagine how hard that would be.

These are my own personal observations from where we were to where we are now and maybe I’m just being naive and stating the obvious, but here I go any way. First of all in terms of the ideas produced, very rarely was media approached creatively. It wasn’t even part of the process and was simply the vehicle to carry the copy and the visuals. I think the reason why planners are being seen as more creative is because they are becoming very good generalists in terms of the media that is out there. In my opinion media is one of, if not the most important discipline at the moment and should be treated as a creative skill in the same way copy and visuals are.

I also think the relationship between brands, people and communications is the most complicated it has ever been and the old model is too restrictive when it comes to solving problems. Some people in the industry believe that clients should pay for ideas as the strategies end up transcending the entire business and changing its direction and often its fortunes? Some people also feel that agencies need to be much more involved with clients at a more strategic, business level rather than engaging with them just on image or on a transactional basis. Isn’t this then about being better at solving business problems rather than ad problems? So again solving business problems should surely be treated as a creative discipline like copy and visuals?

In the same way I don’t believe creatives own the ideas, I don’t believe that planners should own the strategy. However, if I asked you to tell me who the most creative people in the advertising industry were you would name numerous creatives and deservedly so. But if I asked you who the most creative people in business were today I personally think they would be more like a planner than they would a creative. My point is perhaps as an industry we often define what creative means based on our own reality rather than our clients needs. And perhaps this is why ‘planners as the new creatives’ makes sense? Perhaps clients want business ideas rather than ad ideas? Maybe imaginative strategies and media are exciting them more than the copy and the visuals? Or maybe clients can relate to a planner’s take on an idea better than they can a creatives? People talk a lot about planners being the voice of the consumer, which I agree with, but to me a planner is also a bit like being the client, but without the pressure and much more time and freedom to ask questions, be objective and be brave?

And breath….

Don’t blame it on the creatives?

Adliterate is probably one of my favourite blogs. It’s the one that stirs up the most debate in my opinion. Many of Richard’s posts cover agency life, processes, organisational culture and topical industry issues. I think it’s more relevant to the actual ‘doing’ than most other blogs, hence the reason so many people (and not just planners that blog), comment on his posts. There are some great blogs in the plannersphere full irreverence, divergent thinking, social observations and commentary, but if like me, every now and then something niggles you, or you get annoyed when you can’t get something done, you will probably find the problem covered in here.

In Richard’s own words, he aims to be deliberately provocative and there is some good natured, mostly intellectual banter going on. In the style of Vanilla Ice (or probably someone like him) check it out.

The post that has hit the biggest nerve with me of late is Richard’s ‘don’t blame it on the creatives’. The premise. Are creatives to be blamed for the problems in the industry? I do agree that perhaps too much blame is laid at their door and it is everyone’s responsibility to come up with better ways of working, but lets be honest. Some people, irrespective of their discipline, or the agency department in which the lift tells them they reside, will just never want to change.

Everyone will have his or her (this correction by Word has got me thinking about another observation, post to follow shortly) own view on the subject that will be developed by his or her own unique experiences. Nearly every agency will have its own position, objectives, culture, structure and influential characters and as a result the subject isn’t really that black and white. I just don’t think there is a definitive answer, I just know it needs to carry on moving forward.

However, this quote by Da Vinci pretty much sums it up for me: “There are three classes of people. Those who see. Those who see when they are shown. Those who do not see”.

If you fall into the latter then you are the one giving people headaches, although it’s likely you will think you are in the former. So I don’t know how you sort that one out? Perhaps we should all just all meet up somewhere in the middle.

I’ve got a PR problem


Don’t get me wrong, I’m fond of PR and I have a lot of respect for people in the industry – I have to. Other than the fact that my other half works in it; it’s also where I started my career. I would go as far as saying PR is a good place to start if you want to be a planner – although probably not something that will stand out on your CV to a prospective employer.

There are several reasons why it’s good. You develop an eye for a story, you hone your writing skills, you do you own research, you have to come up with your own strategy without the help of a planning department, you’re under pressure to come up with your own ideas without the help of a creative, you have to do you own media plans and you also have to actually role your sleeves up and implement all of this. Lee has written a good post on this before but I think it goes further than just being a good journalist.

So why do I have an issue with PR? (I’m excluding public affairs, CSR and lobbying from this as they’re completely different disciplines in my opinion) It’s essentially the reason why I got frustrated and moved in to planning. Out of all the marketing disciplines people in PR, more often than not, tend to be the ones with the least knowledge of brand strategy and are way behind others in terms of innovation.

Although this isn’t a great yardstick for measuring how innovative a profession is, you will be hard pressed to find many PR blogs out there that talk about anything other than how the Interweb is affecting the industry. No shit Sherlock!

Many proposals I see regarding the use of online are pretty staid. So despite the rhetoric I don’t believe that PR is the best discipline to manage your brand online just yet. Many, but not all are just using the same rules as they adhere to offline. They’ll tell me that any brand worth its salt should be on Myspace with no explanation as to how they would use it or why it’s even relevant. They will treat bloggers exactly the same as they would treat journalists, people just waiting to hear about a products wonderful new features and competitive price point. They will claim to be able to create buzz and influence opinion directly in forums with obviously no experience, as they are unfamiliar with the terms ‘advertising scum’ and ‘flaming’.

I get bored of the same tired old tactics, that are just that – a bunch of tactics, wheeled out for every client with no real strategy supporting them. You normally get a celebrity (that you will have no chance of actually using or they only have a very tenuous link to the brand). There will probably be a survey, a competition and maybe even an event thrown in. It’s not the tactics being used as such that annoys me, it’s more the thought that goes into the ideas. I very rarely see the same creative and strategic thinking that you get from people in other disciplines.

Some PR professionals are also great at using a number of power word and phrases that obviously proves they get it. My favourites being:

“We’re an agency that gets results”. Phew, good job we didn’t use that agency that doesn’t get results.

“As an agency we pride ourselves on effectiveness”. You mean you have a press cuttings service.

“We know how to manage your brand online”. Then how come when I asked if you use Instant Messenger did you say is that a good courier service? (This didn’t happen, but I thought it made this long rant a bit funnier).

“Here are our key messages….” No, they are the brand’s key messages, you’re just reading them back to me.

Then there are the same objectives on absolutely every proposal with no expansion as to what this means for the communications:

1. To raise awareness
2. To change perception
3. To deliver ROI

Of what, why and how? Ohhh, refer to the strategy you say. I’m sorry all I can see is a load of tactics and for your information, I don’t think Mr Motivator is a good idea. I’m sure he hasn’t been on TV for at least 15 years.

I do genuinely think PR has a major role to play in a brand’s communications mix and I’m not suggesting everyone in PR is incompetent, I just think the ones I’ve personally experienced recently are giving it a bad name.

I don’t think PR will ever have the position at the head of the table unless they can think more strategically and ensure it isn’t separate, second, or even non-existent to the idea they propose. They must understand how to use emerging media and not just that it’s out there. And finally I would like to see better, smarter, more involving ideas. Perhaps the pressure from clients to get column inches rather than a share of people’s conversations stops them from doing all of this, I don’t know? One thing is for sure, it is about having more than a little black book full of journo’s numbers.

Interesting 2007

I’m actually gutted I couldn’t make it to Russel’s Interesting 2007, so this isn’t intended to take the piss, but I can’t help thinking of this Monty Python sketch.

New Blood

I went to the D&AD New Blood exhibition on Monday and I have to say I was massively impressed with a lot of the work on show. Pretty much every corner of the globe was represented by some seriously talented individuals. It will hopefully turn out to be a successful scouting trip for us, but we certainly expanded our little black book of freelance illustrators and designers. One of which has a fantastic blog. Well done Anton, hire him. At the very least it is a great opportunity to see what the next generation of creatives are thinking about.

The usual suspects such as Central Saint Martins and Miami Ad School continued to wow, but it was encouraging to see Institutions from all over the UK demonstrating a diverse range of work. The only disappointment I had was the lack of digital work exhibited, although my beloved BU put in a good show on that front. Good effort.

London launch 2012 brand

I’m not quite sure what to make of this effort by Wolff Ollins. When I first saw it I thought it was a bit ‘down with the kids’ and perhaps they’ve tried too hard to relate with the yoof.

According to London 2012: “the new emblem is dynamic, modern and flexible reflecting a brand savvy world where people, especially young people, no longer relate to static logos but respond to a dynamic brand that works with new technology and across traditional and new media networks.

The design brief was for an emblem that represented the four key ‘brand pillars’ of access, participation, stimulation and inspiration, culminating in the brand vision of ‘Everyone’s Games’”. Nice to see the usual brand jargon in there in order to justify the £400K fee. When I first saw it I said to myself, wow, you can really feel those ‘brand pillars’ jumping out at you. You can read the full release here.

After seeing the promotional video it does get a touch better, but I’m convinced there are some young designers out there that could have done a much better job. In the true spirit of London 2012 I would rather have seen the best young talent competing with each other to come up with something that was truly reflective of that generation. At the moment it’s a bit twee and too top down. The promo video feels a bit like a kids TV programme and is likely to be even more out of date in 5 years time. Despite all this I do hope it grows on me and they manage to use it imaginatively. Fingers crossed it doesn’t make us look like the numpties of the world.

I’m sure the £400k involved more than just designing the logo (at least I hope so). I would love to find out the rationale and how they got there before I make a judgement, but people are already caning it online in less than 24 hours of it being lanuched.

Re-creating the logo in under 8mins

A visit from Tony Hart

Just for a bit of fun and to celebrate the creativity in us all, everyone in the agency were invited to exhibit their own personal art and photographic creations in the bar last week. To round things off the legend Tony Hart came in to judge the work and spend the afternoon trying to explain to people why the pictures they sent in didn’t make it on to ‘The Gallery’. Tony was on TV for about 50 years and so I think pretty much everyone in the agency grew up watching him on various programmes that included Vision On, Take Hart and Hart Beat. Tony’s not in the greatest health, but he still has an obvious passion for the arts. Thanks Tony for a great day.

Me and Tony

and just in case you have forgotten…

The Hart Beat theme tune – “Left Bank”, by Wayne Hill

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