What does it take to make good advertising?

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A large sporting event apparently.

Putting the quality of this year’s advertising in and around the Super Bowl to one side. Why does it take huge sporting events to motivate brands to create communications that people are actually willing to watch? And not only watch, but seek them out.

Creating communications that people are willing to spend time with seems like an obvious mandatory that should be in any brief, no?

Admittedly most of the ads are essentially gags or emotional cinematic pieces but at least it adds to the experience rather takes away from it. Have you tried watching anything on free to air TV in Australia these days? It’s absolutely impossible to get into any show and follow the story. I’d rather wait for it to finish and buy the box set.

I’d love to see networks place some rules around the quality of what goes into the ad break. After all it’s in their interest to keep people interested isn’t it?

To be good you need a squillion dollars I hear you say? Ludicrous Super Bowl rates aside, not really, check this out from Field Notes.

Perhaps the reason for this sudden change in inertia is that the big cheeses suddenly take an interest and who wants to be the CMO with the least popular ad?

Watching people watching TV

I’d love to see cameras on ratings boxes so we know what actually happens in an ad break. So this kind of cool.An Australian family sitting down to watch the Ariel Ping Pong Grand Final, the biggest sporting event of the year.

On 2011: Every time someone says engagement a fairy dies

I blogged a rather paltry 11 times in total last year, don’t feel bad, I had better things to do. 

But to be honest, aside from starting work at Naked and getting married I blame advertising and planning really.  It doesn’t feel like 2011 was as good as it should’ve been for the industry, progress made, but a bit on the slow side. In fact to quote a bit of Dickens:

“IT WAS the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way- in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only”.

So to get me motivated this year (albeit it negatively) here are my reflections on 2011:

 The language is still shit. Did you know every time someone says engagement or participation a fairy dies? We also need a wider range of verbs in marketing.

We still didn’t realise that a lot of stuff touted as new i.e. participation (a fairy didn’t die unless you are reading this out loud) is in fact old. It’s always been inherent in us and been happening pre-Dickens.

We keep making words up to make us sound clever or create some headlines. Good to see the first one for 2012. Ergopsychonomics. (Again making something old sound new in the process).

People kept telling me there was only one way of marketing and that something else was dead. I should have put this at number 1 to be honest. The world would be boring and very uncompetitive if there was only one-way of doing things. Oh yeah you’re right, it is…but the point is it shouldn’t be. 

We still keep hanging on to the past. OK people are watching more TV than ever before but it doesn’t mean anything. It’s the wrong question. It still doesn’t mean they are watching your ad, it doesn’t mean they care. Jees, we still spend $ billions on TV based on ratings from a 1,000 set top boxes. Technology I might add that cannot tell if people are putting the kettle on, having a dump or using their smartphone to do a multitude of things whilst your ad is on.

Last but not least we keep mistaking what is right for what is easy. 

Anyway…onwards and upwards. Here’s to a cooler more interesting industry 2012

 

A magazine is an iPad that does not work

For those old farts like me (at the ripe old age of 31) that still like to peruse a magazine once in a while with a pipe and slippers might find this scary. For many people in the not too distant future, the magazine will have a very similar fate to other technologies such as vinyl, cassettes, IE6 and the horse and cart. You all look at it with romance, nostalgia and a deep down feeling that it won’t die (with the exception of IE6) but it will and become a niche media that the cool retro kids are into.

Marketing in Australia – the spreading of trends, creativity and scale.


First of all this is a ramble, sorry. I have no idea where it’s going. In fact I think it’s really just the start of a thought. Now most people have probably seen this visualisation of the connections between Facebook users. Not only is it pretty amazing in terms of it’s sheer global size, it got me thinking about how/if marketing in Australia is different to other culturally western countries. When you look at the image, it’s pretty clear Australia and Australians are more disconnected due to geography and its spread of the population. And it also doesn’t have anywhere near the population propensity as other countries or regions.

So when I was moving here from UK, a lot of people warned me it was well, a bit behind the times to put it nicely. To be honest somethings are, like banking, and some aren’t, like the adoption of social media and smartphones.

I then thought I’d check out Google Insights to see if there was a difference in terms of demand for say ‘losing weight’ between UK, US and Australia over time. As you can see there is nothing in it. It’s pretty much the same for anything from iPhone to Cocaine. Take my word for it, I thought it wouldn’t be.

I went on to question the age old ‘Australia is a bit conservative and don’t do great creative.’ According to last year’s analysis of Cannes, Australia was the 5th most creative country.

I’m not sure if these are myths or not. For everything Australia is behind on, I could also come up with one for UK and USA. Maybe it’s scale as mentioned by Mark Pollard in his post about moving to New York. As marketers in Australia, perhaps we don’t have as much to gain financially by risking budget to be any more than number 5 in creative rankings, we just don’t have the scale. Maybe number 5 is OK. Perhaps industry has too much to lose by embracing trends and product innovation. We just sort of track everyone else?? Any way, food for thought.

A lego a day

I love this lego photograhphy. Not sure how I’ve only just stumbled on it, they have got up to day 227. Found here

Henry Jenkins interviews Frank Rose

Frank Rose, contributing Editor at Wired has a new book out called The Art of Immersion. I haven’t got my grubby hands on it yet but if this interview (part one and part two) with Henry Jenkins is anything to go by it looks like a must read of the year.

In this interview Rose essentially discusses the concept of ‘deep media’, where people can engage with a story at any level of depth they like. Whilst the interview mostly references the entertainment industry, it’s clear that this is bubbling over into brand communications on a more regular basis. Ford, Honda and BMW are examples of an entire category adopting a kind of ‘deep media’ approach as discussed by Rose.

As a general rule, the majority of advertising has been about lowest common denominator stuff for decades. How can we reach the most people for the least effort and the lowest cost? I’ve said before that people have always had thresholds when it comes to how immersed they are willing to become in a communication. The net result of generations having grown up playing, watching or participating in more immersive stories will change people’s expectations of everything. Even the most humourous 30 second TVC is quite frankly pretty boring to many people. Hence innovations like this from W+K.

However in addition to thoughts on deep media, Rose also goes on to make some fantastic observations relating to the history and evolution of storytelling and communications.

“the really remarkable thing about Dickens was the way he communed with his readers. That was something serial publication made possible–and serial publication was purely a product of technology. Better printing presses, cheaper paper, trains that could deliver things reliably, rapidly growing cities with a lot more people who could read. Few of these people could afford to purchase entire books, but they could pay for short installments. An unanticipated result of this was that when books were published over a period of 19 or 20 months, readers had a chance to have their say with the author while the novel was still being written. And Dickens relished this. He took note of their comments and suggestions, and he loved interacting with them on the lecture circuit as well. One of his biographers described it as “a sense of immediate audience participation.”

But seeing new media as a threat–that’s a pattern we fall into again and again. Now it’s video games and the Internet. Before that it was TV, and before that it was the movies, and a couple hundred years ago it was serial fiction and people like Dickens. The only constant is that whatever is new is threatening. And usually it’s considered threatening because it’s too immersive–you could get lost in it. But that’s exactly what fiction is. If it’s good enough, people are going to want to inhabit it”.

How TV ruined your life?

The ever brilliant Charlie Brooker has recently been exploring what we all know – there is in fact a massive gap bewteen what happens on TV and real life. In ‘How TV ruined your life?’ Brooker deadpans his way through iconic programming to some of the most cringing advertising ever created. Here’s my favourite episode by far.

Everything is advertising

Jess Greenwood at the recent Circus Festival brilliantly summed up how I feel these days by saying that everything is essentially advertising. Not just a TVC, but every single interaction with a customer should be treated as an opportunity to advertise in the truest sense of the word. A case in point.

Then I came across this interview with Johnny Vulkan of Anomaly where he talks about something I’ve mentioned here before. Marketing isn’t just about the promotion. There are three other forgotten Ps we should be considering as advertising. Promotion has kind of become like crack to brands and agencies, but we are undoubtedly starting to see a shift to the other stuff.

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